“That’s the type of mind that I have, the type of spirit I have,” she said. Hill said that’s just where she is as an artist right now. It’s that unknown, that literal X factor that makes every show something different - something unique and something I want to continue to do.” I need that improvisational, almost jazz-like improvisational dynamic when I’m onstage. I might have gotten spoiled from the Fugee days. We need, or at least I need, a certain amount of spontaneity, a certain amount of improvisation every show. I’m not sure if the audience really understands. There’s something almost jazz-like the way I approach performances. “I have to upgrade them a bit so that they’re still exciting and fresh and they’re new. “There’s been such a long period of time where I haven’t been able to communicate where my mind is, where my consciousness is, where my ideas are,” she told MTV News on Saturday. The legendary songstress said she needed to be free. As for Hill’s own classics from The Miseducation of Lauryn Hill and the Fugees’ The Score, she constantly changed up the arrangements for the records.
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